I'm only twenty-seven (as of just this Thursday) and yet I feel like I've already seen everything. Actually I feel like I've seen everything three times. 2017 was the I finally had enough of blockbusters. There was a new
Fast and Furious last year, there was a new
Transformers, there was a new
Pirates of the Caribbean. And I just couldn't. It was not mere dislike, dislike takes emotion and effort. I was done. I had nothing left to give for huge Hollywood franchises. When
Justice League came out my disinterest was so severe I skipped
an episode of The Drew Reviews, a really great movie podcast produced by two colleagues of mine. I didn't even have morbid curiosity left to give.
Now, in 2017 a lot of good things happened in movies. Horror has never received more prestige.
Get Out is going to be nominated for Best Picture. You can't call that movie a "thriller" or "psychological drama" like people did with
Silence of the Lambs or
Black Swan.
Get Out is a dirty horror movie and nothing else. Critics used to be ashamed of horror and that time has passed. Meanwhile people highlight
Wonder Woman as this huge progressive moment against the Harvey Weinsteins of the world. But all it showed me is that women can star in movies as bland and pointless as the boys. Yet there were intense, truly unique stories that were written with female protagonists (and often made by female directors) that actually make use of that diversity. Forget
Wonder Woman, try
The Beguiled or
The Shape of Water or
Ingrid Goes West or
Raw or
mother! or
Lady Bird. Women have a voice in this industry and it doesn't need to be packaged to appeal to male nerds.
Every year I think I get closer and closer to the pretentious art critic I mocked back in the early years of this blog. The problem isn't that I love artsy movies. As a matter of fact I have a severe upper-limit to how much artsy I can take, thus why I refuse to see
A Ghost Story. I like low-brow trashy shit. It's just that the traditional blockbuster has become so stale and repetitive. There was a new
Spider-Man this year! Hasn't there been enough fucking
Spider-Man already? People complain about too many sequels and lack of ideas in Hollywood, then give
mother! an F on Cinemascore. This year, I hope I didn't just talk the talk, I walked the walk. If your movie wasn't special in some way, I couldn't be bothered. So I don't want to see
The Post or
The Darkest Hour, more boilerplate Oscarbait just as I don't want to see
The Mummy or
Ghost in the Shell, more bad wanna-be cinematic universes. I didn't see any of those. I saw better movies.
Here are fifteen movies that actually were special in some way: