Top 10 April 2020 First Watches

I have a perfect 0% record on New Years' resolutions. Every year I make grandiose wishes, like, "this will be the year I finally write that novel" or "this is the year I lose weight" or "this is the year I learn to ride a bicycle". So far I've written nothing, weigh about the same as I did ten years ago, and still can't ride a bike. So for 2020, I figured, let's aim lower. "I want to finally see Hamilton on Broadway". Easy enough challenge, you just need about $300.00 in liquidity at any one time. The only thing that could stop me is something totally insane, like say, the world ending.

And then it did. So another failed resolution. Maybe I'll have more luck in 2021 when I promise I'll finally see the Beetlejuice musical. No way an asshole producer could ruin that, right? Right?

But while plagues can take away live experiences, they can't take away filmed ones. April 2020's movie theme was therefore Musicals. I started the month out with this ambition to see a huge bunch of weird non-traditional things. Then I realized fairly early on, I haven't seen most of the great musical canon. If I haven't seen The Sound of Music, should I really aim for The Apple? I should really try to get some foundation in. So this month was full of squeaky-clean, mostly white people fantasy from the mid-20th century. And it was wonderful.

Obliviously, "'Musicals" is way too big a topic for just one month. I saw about twelve in April and could have easily seen another forty. We'll be back again. I do also want to say that even though there are some very obvious class and wealth issues with many musicals, this genre should not be as obscure as it seems to be. It seems like "movie culture", especially filmbro culture, has a memory that doesn't go back to before 1980. Blockbusters are fine, they're the workhorse of the film industry. But once upon a time, musicals were that workhorse. So many instead of appreciating Darth Vader and Batman so often, we could take some time to appreciate Gene Kelly and Barbra Streisand? You can do both. We all have plenty of time now.

Ranking the Kingdom Hearts III Re:Mind Superbosses

I actually wrote this post back in February. Like many projects in my life, it has sat unfinished in a forgotten place, becoming more and more forgotten. So for whatever reason, it is being released now. Dusted off with a new intro. Enjoy.

Kingdom Hearts has never quite gotten the respect it deserves in terms of gameplay. A lot of that comes from the series' generally ease in difficulty. They rarely require you to master them. Kingdom Hearts lets you be a clumsy fool to beat most Heartless. That's fun. I love jamming the Square button and seeing monsters disappear in puffs of particle effects. Sora's combos are pretty automatic and basically solve themselves. But while you can see end credits this way, you're not seeing everything Kingdom Hearts truly is. You're not learning the system, you're sloppily overpowering it. Really learning an action game can't just be easy victories. It takes pain. This is why the ruthless Dark Souls is the most feared and worshiped franchise in gaming today. They are all pain.

Is there pain in Kingdom Hearts? Oh yes. Plenty. That pain hides in the post-game Superbosses. That's when your mashing won't save you. You can't even assume Sora's block will do all the work and open enemies up. These bosses are terrifyingly fast, they hit hard, and they only forgive a few mistakes. Your HP bar is feeble protection against the blitzkrieg of enemy combos leading into other combos as the fight slips out of your control. They are walls of seemingly impossible brutality. Sephiroth in Kingdom Hearts II could kill you in a second. And I absolutely love him for it. Hurt me more, please.

Kingdom Hearts III's original release lacked this extra spice of serious challenge. The Re:Mind DLC fixes that. With the fourteen new Superbosses, you either leave nothing for granted and truly play your ass off, or you watch Sora float limply on the Game Over screen. I beat Kingdom Hearts III last year without much thought. Come January 2020, I needed to learn every skill in Sora's toolset. Kingdom Hearts can be true action games with as much sophistication and difficulty as any of the others. So maybe we should treat this series with more respect?

Here are the fourteen Superbosses that the Re:Mind DLC offers, all ranked in terms how of much I loved them. This is a journey to the heart of Kingdom Hearts III.

Top 10 March 2020 First-Watches

So how about that March, huh?

...Oh, that bad? Well that sucks.

Anyway, let’s ignore all that and talk about movies. I've been tweeting lists every month for awhile now about the five to ten best movies I had recently seen for the first time. I figure, since I'm not currently writing much of anything else, I should make it a whole feature. So here's a run-down the cinematic joys of March for me.

Also, lately I've been getting into Theme Months. This is an exercise in forcing myself to watch more movies. By setting up themes, I organize my massive backlog and give myself a motivation to get through it, chunk by chunk. In February I did Weird SciFi to finally watch things like Stalker and Upstream Color. I have literally thousands of movies I want to see at some point, and this process makes it less overwhelming.

March’s theme was Korean Movies. Once upon a time the biggest film story was Bong Joon-ho’s Parasite sweeping the Oscars. (Which was only a few weeks ago, even if it seems like a different century now. The Oscars are like a relic of a medieval culture we've lost.) To celebrate Joon-ho’s win, I thought, I'd watch all his movies that I haven’t seen before. And in the process go watch like eight other Korean movies I've been meaning to get to. I found some real gems in there, even if, as you'll see, I'm a bit unhappy with my selections.

Anyway, here's ten movies I feel like talking about today:

Top 10 Games of 2019

Here’s everything I wanted to play in 2019 but never got around to: Sekiro, Indivisible, Disco Elysium, Bloodstained, Mario Maker 2, the Switch port of New Super Mario Bros WiiU, the smol Link’s Awakening remake, Telling Lies, A Plague’s Tale, Devotion, NeoCab, Jedi: Fallen Order, Apex Legends, Luigi’s Mansion 3, Astral Chain, Void Bastards, My Friend Pedro, Total War: Three Kingdoms, Wargroove, Persona Q2, The Dark Pictures: Man of Medan, Valfaris, and like a thousand others I’m forgetting. I only finished the first chapter of Life is Strange 2! Gah!

I bring this up only to point out how weird it is to even try to make a Top 10 List of video games. It did not take that much work to see most of the movies I wanted to see in 2019. I won't call my list from last week definitive, but it's at least vaguely comprehensive. Games, however, are an order of magnitude beyond that. Nobody has played every game. No one website has played every game. It is not only possible, it's likely that your Top 10 lists looks nothing like mine. That's assuming you even played ten games. There's so much vastness in the infinitude that is our digital play spaces, you could abandon the concept of "new releases" altogether. Gaming isn't cheap, and not every has the time. I barely the time anymore. Maybe you just played Fornite or Final Fantasy XIV all year and were satisfied. Put 5,000 hours into your second life as a Lalafell. Enjoy yourself.

What I ultimately mean here is that you can't chase the release schedule. I only came up with this list after cramming the last two months. I beat six games since December and didn't finish half the things I wanted to. The paradise of play we have found ourselves in is beyond all comprehension. If most of my list is JRPGs and puzzle games, that's just how things have to be. It's what makes me happy and keeps me functional as a unit in this capitalist system I have to live in apparently. If my list looks nothing like your list, are we even having the same conversation anymore? Should games even be considered "one industry"? I don't care about Call of Duty just like somebody doesn't care about Kingdom Hearts. Why should both of us be called "gamer" as a catch-all? I wonder.

But luckily, no games seem to be coming out in 2020. 2019 was packed to all hell with new releases. So far in 2020 all we have is a bad DBZ game and Kingdom Hearts III DLC. Everything else is delayed and delayed again. I got plenty of time to finish up Life is Strange 2 and maybe finally work up the courage to play Sekiro. I'd be fine if we just all took a year off and enjoyed ourselves. I have a really big backlog I need to work on.

Top 15 or 30 Movies of 2019

2019 was the year Disney conquered the box office to an obscene extent. The most popular movie of the year was indisputably Avengers: End Game, a world-eater that sucked in all gravity for months. My experience with that movie though was pain. I fell down the stairs on my back just before leaving to go see it. Luckily since my spine wasn’t split in half, so I had the fortune of watching in intense agony. (I’m fine, don’t worry.) Let that be your metaphor for my year at the movies. It's a theater full of fans weeping and cheering. Then I’m in the front row, grimacing and half-conscious, trying not to groan too loudly.

Avengers: End Game did not make the Top 15. It didn’t get close. Despite my injury it was decently entertaining. But it was uneven, was like three different contradictory movies at once, and the action climax looked terrible. Actually, none of Disney’s major blockbusters made it. Only one got even an Honorable Mention. I might have been too kind when I thought Star Wars Episode IX was barely passable. Frozen II was fun but hollow. I didn’t even bother to see the CG remake of Lion King. But the movie that sums up Disney for me was Spider-Man: Far from Home. It was safe, uncontroversial, and proudly unimportant. Why would anybody want to see that movie when last year's Into the Spider-Verse is better, bolder, and braver in every single way?

That's what I'm looking for, ultimately. I want originality. I want ambition. I want a movie that can never be replicated. A unique experience. Those experiences can still be found and even if general audiences just want cookie-cutter, originality might be more plentiful than ever. Foreign films have a better chance of getting a wide release and critical interest. Anime films have a proven audience and are much easier to find. There was room in the schedule for Quentin Tarantino and Martin Scorsese to still do their things. Audiences were there. A classic parlor murder movie was one of the big hits of the fall. Netflix actually released good movies. Will one make the Top 15? Let's find out. And of course, the indie horror moment is as fruitful as ever.

2019 was a year where you could have had anything in the theaters. There was a movie for you. You don’t need to settle for what’s safe and familiar. Even if you just want a superhero movie, you could see over a dozen alternatives, from tiny movies like Fast Color to colorful spectacles like Promare. I've decided I deserve more than just the Disney slate. I wish more of you would decide to deserve more too.