After "Batman 3", I had to be sure that the next movie I saw in theaters was something completely different. I couldn't go out and see some huge action Blockbuster because no matter what it was, it would just pale miserably in comparison to "The Dark Knight Rises". I didn't really have much hope for the remake of "Total Recall", since its pointless and they killed all the great 80s action charm, but it really will not stand any chance at all if it has to follow up the biggest movie of the year. In that view, I went to see a completely different kind of movie: a small Indie Neorealist film about poor people living on America's contracting frontier. And since its a nice serious drama, I guess I need to shed the Batman fanboy persona and take on the academic one. *Changes Hats*
"Beasts of the Southern Wild" is the first film directed by Benh Zeitlin, a first-time director, but probably not a last-time director. His film has already made a huge splash amongst the stuffy elites of film criticism, even getting a Camera de'Or (the Best film made by a newbie director) at the Cannes Film Festival*, the Mecca of film academia, and it won the Grand Jury Prize at Sundance. Interestingly, "Beasts" was filmed entirely without professional actors, instead using first-time people found locally in New Orleans, but it also stars Quvenzhané Wallis, a - then - five-year-old actress. Usually working with a little kid of any age is a huge gamble for your movie, because unless you can get that kid to stop being cute and give the performance you need, your whole movie will just collapse. Remember "Phantom Menace"? But Quvenzhané Wallis is not just an aversion to that rule, she is the singular best thing about this movie. If "Beasts of the Southern Wild" goes to the Oscars, it will be because of her more than anybody else. She's that remarkable.
That's not to say the rest of the movie is unremarkable, its a filthy, grungy movie starring the poorest people in all of America. These are people who live beyond the edge, sitting in the Louisiana bayous with the land slipping away below their feet. Everything they have is falling into the sea, and while the rest of the world is already moved on, their holding onto everything they've ever known, but also living in abject, frightening poverty. However, Benh Zeitlin isn't a crusading evangelist out to spread the word to save these people, his use of the camera seems to admire them. He's not calling us to action, he's praising a culture that is literally drowning under the moving tides of the world. Despite all their ignorance and lack of a future, they're still walking bravely into whatever life will bring them. Zeitlin doesn't pity them, he admires them, and this is why "Beasts of the Southern Wild" is a very interesting movie.